I was going to post a special halloween sketch for this post but but then I thought, heck, every week is halloween in the Fantasy Art Class, so I just ran with the usual.
But first let's recap what was discussed during class.
As most of you know by now, my biggest influence relating to fantasy art comes from comics, and I am a particularly big fan of horror comics. As I have mentioned before, US horror comics have some of the best comic book covers back in the late 60's and early 70's. Sure, there were some great iconic covers produced for Amazing Spider-man, Hulk, Batman, and Detective Comics, that told the buyer what to expect on the inside, by creating an image that was part of the story (something I love about 60's and 70's comics and miss with modern day comics) but it was the horror comics that really grabbed my attention. Often inside the stories were nothing more than mild versions of Twilight Zone, Outer limits and Night Gallery tv shows but they often contained some hidden gems with great art by Alex Toth, Neil Adams, Bernie Wrightson, Gene Colan, and Jack Kirby.
Wierd Mystery #1 contained a rare find, a horror story drawn by Jack Kirby, and also has a classic cover by Michael Kaluta
Cover by Luis Dominques
Nice low angle shot and perspective. Note how the scene is frames by the tree trunks either side. Also note the use of a circle to tie the two main elements together. A nicely layered central composition.
Cover by Luis Dominques
Again, note the use of a circle.
Note the diagonal design creating an eye flow from right to left
Cover by Neil Adams
Note the framing created by the swamp growth.
I have previously blogged about DC's Witching Hour and House Of Secrets so I figured it time I gave DC'S Weird Mystery a mention.
Weird Mystery ran for only 24 issues between 1972 - 75
Wierd Mystery #1 contained a rare find, a horror story drawn by Jack Kirby, and also has a classic cover by Michael Kaluta
Here's a collection of excellent Weird Mystery covers .
Nice low angle shot and perspective. Note how the scene is frames by the tree trunks either side. Also note the use of a circle to tie the two main elements together. A nicely layered central composition.
Again, note the use of a circle.
Note the diagonal design creating an eye flow from right to left
Another great cover by Luis Dominques, although House Of Secrets this time.
Note the framing created by the swamp growth.
Charlton Comics also had some cool covers for their Ghostly Tales and Ghostly Manor series, often featuring art by Tom Sutton. I really like Tom Sutton's compositions.
A nice pyramid composition with a circle grouping the image and title together.
For those of you interested in reading more about early 70's horror comics I can recommend some good blogs written by comic fans far more knowledgable than myself.
The blog listed are well worth trawling through for all kinds of interesting stuff.
http://datajunkie.blogspot.co.uk/2006/03/macabre-art-of-tom-sutton-or-repost-au.html
SOMETHING TO KEEP YOU BUSY OVER HALF TERM
This is just for fun, not compulsory.
This is just for fun, not compulsory.
This is a nice, easy portrait of one of my fave Universal movie monsters, The Creature From The Black Lagoon.
It's a really easy piece and all you will need is some green paper (£1 for a pack at the works, Merrion Centre), 3 green markers (don't have to be Copic markers- but they are the best in my opinion) , an ink pen and a yellow pencil.
Copic marker colours: Celadon green(YG25) for the base tone, Moss (YG67) or
a Marine Green (YG99) for the shading on the skin and a Blue Green (BG09). You
can view the colour charts(as well as buy the markers) here
I'm not going to take you through every stage of the pencil stage as you may want to do your own take on this creature and not follow my drawing too meticulously.
The head breaks down the same way we have been drawing the human head in class this past few weeks.
I am showing these first stages in black and white as the pencil line did not scan all that well.
Notice that there are three rows of fins either side of his head.
Once the pencil sketch had been completed , I applied the ink using a Faber Castell brush and super fine pen.
Make sure the eyes stand out on this on.
Using a Celadon green(YG25) copic marker, I applied some light green areas to begin building the skin tones
a Blue Green (BG09) copic marker dives a nice dark background to throw out the image.
A Marine Green (YG99) was used for the next layer of skin tone. I only applied it to the areas I wanted to build up with darker tone.
Using a bright yellow pencil to create highlights around the upper edges of the cracks, folds and fins/gills. I used a lemon yellow Derwent Studio pencil butsee what you can get your hands on. Caran D'ache also produce a decent quality range of coloured pencils
The thing to remember when using markers is that once a layer of ink has dried, by applying a second layer over the the top using the same maker you will create a much darker tone. Applying 3 or 4 layers of the same maker can give you a nice subtle blend of tones.
I have built up the skin tones with three layers of YG99 , each time leaving enough of the layer beneath exposed so as to create a visible, stepped layer. Although the layers have created a nice build up of depth I still felt that the fins/gills at the side of the head needed more contrast so I applied some black ink hatching. See below.
Ok, have fun and I'll see you next Tuesday 6th Nov.
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